Ties that Bind Sneak Peak and Print Sale!

SkatesintheMulberries_9957lrSkates in the Mulberries, 2014
6″ x 9″, Edition of 20
$50.00

Ties that Bind sneak peak and print sale!

I am having a print sale to raise funds for the final execution of my Master of Fine Arts Exhibition that opens April 25, 2016. Six photographic prints from my body of work Ties that Bind are available to purchase. Each image is 6″ x 9″ printed on 8.5″ x 11″ archival, premium luster inkjet paper. The prints are signed in an edition of 20 for $50.00 each. This is a 50% discount! All proceeds will go towards paper, printing / mounting, framing, an exhibition catalog, and promotional materials.

Visit my website to make a purchase: http://deedrabaker.virb.com/print-sale

Everyone who purchases a print from this sale will receive an exhibition postcard, as well.
Thank you for all of your support!

Please scroll down to read more about the body of work and the exhibition. 

ALightDusting_5706lr
A Light Dusting, 2015
6″ x 9″, Edition of 20
$50.00

KatelynandHerHorse_6073lr
Katelyn and Her Horse, 2016
6″ x 9″, Edition of 20
$50.00

MothersTrinkets_5617lrMother’s Trinkets, 2015
6″ x 9″, Edition of 20
$50.00

MomsCollegeSeniorPortrait_5884lrMom’s Senior College Portrait, 2016
6″ x 9″, Edition of 20
$50.00

YellowandGreen_9742lrYellow and Green, 2014
6″ x 9″, Edition of 20
$50.00

Statement

Through portraits, environmental still lifes, and landscapes, Ties that Bind explores the interconnectedness between my mother, three sisters, two nieces, and myself. The project examines ways that our identities interweave and manifest as a result of experiences together at our family home in rural Kansas. Inspired by Patricia Kline’s statement that “For most of us our identities are very much tied to where we grew up,” environmental still life and landscape images made within my family’s house and land reflect the visceral connection between we females and our land, home, and familial keepsakes and objects.

Intimate portraits capture the emotional, experiential, and physical bond found between we women. In her curatorial statement Not My Family Values, for an Art Photo Index Exhibition, Dr. Rebecca Senf states, “Family is at the heart of how we identify ourselves.” For the females within my immediate family and myself, the experiential and historical bond centered around the idea of a homeplace (and the belief that family traditions can only occur in that place, while among family and its keepsakes) greatly influences and informs our identities. Ties that Bind explores this idea through a visual investigation of we women in the family, objects within the house, the surrounding land, and family archives and traditions.

My MFA exhibition featuring this project will consist of approximately 20 framed, color photographic still images at 20” x 28” and 24” x 34”. A color video will be approximately one to three minutes in length and projected from an elevated digital projector onto the gallery wall at a larger than life scale. The video will play on a continuous loop. A one-of-a-kind artist’s book will be 8” x 10” in scale and will be comprised of seven individual pamphlet stitched books housed in a slipcase. Each individual book will have approximately 10 – 14 pages.

Deedra Baker, 2016


A Slight Hysterical Tendency

A Slight Hysterical Tendency

Connotations regarding the mental state of a female have historically and contemporarily been labeled. Inspired by Charlotte Perkins Gilman’s short story The Yellow Wallpaper, this project investigates female hysteria, a mental disorder attributed to women. Through this notion, a female’s psychological state is conceived as directly related to her reproductive system. This 19th century fiction explores the subordination of marriage, domestic passivity, and the resting cure used for hysteria, which drives the lead character to the brink of insanity.

The photographs in this series use environmental still lives and self-portraits to navigate the literal and symbolic significance of one’s mental state. Common domestic items are used to portray a feminine nature. References to the womb and conception are interwoven with delicate items that represent domesticity and conception. Photographed in my personal space, the series becomes autobiographical because of my own experiences with anxiety and depression.

001Introspect

Will and Good Sense

005Introspect

An Apple from the Earth

003Introspect

Quiet Reverie

004Introspect

Perfect Rest

007Introspect

Ovum

002Introspect

Heavy Opposition

006Introspect

Place Setting

Deedra Baker 2015


New Work | Explores Notions of Innocence

This project explores notions of innocence and coming of age through the photographing of a preteen. My niece is photographed to symbolize my personal experiences, as well as to provide a universal character for all females who have and will experience the transformation of self through puberty.

Feelings of displacement and quiet struggles permeate my adult life. Through a rural, sheltered upbringing there was a frequent battle between innocence and reality. This body of work explores the loss of innocence through the depiction of an adolescent sitter. She stands in as a metaphor for myself, an anxiety-filled child and adult. The photographs are made on my parents’ property in rural Kansas and depict experiences, memories, and symbolic truths.


© Deedra Baker 2014
Elizabeth Reclines

© Deedra Baker 2014
She Weeps  

© Deedra Baker
In-Between

© Deedra Baker 2014
 Cycle

© Deedra Baker 2014
Elizabeth Swings

Deedra Baker 2014


Retrospective Innocence

Retrospective Innocence

This project explores the complexities of childhood and the psychological shift that occurs through a loss of innocence. The work was inspired by looking at my own childhood photo album images and experiencing a sense of disconnect with the virtue and spirit in the photographs.

Scanned childhood images from my family photo album were used to create the cyanotypes. The series of cyanotypes were printed on drawing paper and vellum, and then painted, torn, and sewn back together to visually represent the fragmented and transient memory of one’s youth.

To quote Susan Sontag’s On Photography, “A photograph passes for incontrovertible proof that a given thing happened. The picture may distort; but there is always a presumption that something exists, or did exist, which is like what’s in the picture.” Thus, as I experience memories of childhood and the notion of innocence through these images, the retention and sense of purity are fleeting.

© Deedra Baker 2014
Wayne
Got Me a Cake and Balloon

© Deedra Baker 2014

10/19/89

© Deedra Baker 2014

Is One Year Old

© Deedra Baker 2014

Loot from 4-H Carnival

© Deedra Baker 2014
Jan., 1990

© Deedra Baker 2014
12/23/89

© Deedra Baker 2014
Brianne Took This Picture

© Deedra Baker 2014
At Phyllis Jackson’s House

© Deedra Baker 2014
9/9/90

© Deedra Baker 2014
Slept Through the Party

Deedra Baker 2014





14th Annual Joyce Elaine Grant Photography Exhibition

Applications for the 14th Annual Joyce Elaine Grant Photography Exhibition are now being accepted online at:  twuvisualarts.slideroom.com. The deadline is quickly approaching!

There are two applications to choose from:
Basic Application allows an artist to submit 1-5 images for $35.00.
Expanded Application allows an artist to submit 1-10 images for $60.00.

This years juror is April Watson, Curator of Photography at The Nelson-Atkins Museum in Kansas City, Missouri.

Dates for application and exhibition:
Slideroom entries must be received by: Monday, October 27, 2014.
Artists Notification sent after: December 8, 2014.
Work received at gallery by: January 30, 2015.
Exhibition Dates: February 11 – March 13, 2015.

Please see the brochure below for more information; or  www.joyceelainegrant.com; or  www.twu.edu/visual-arts/joyce-elaine-grant.asp.

Questions or comments can be directed to: Allison Jarek, Exhibition Coordinator /  ajarek@twu.edu.

Please share with anyone you think may be interested!

© JEG

© JEG

14th Annual Joyce Elaine Grant Photography Exhibition

 

 


Identity, Memory, and Place: Texas Woman’s University Graduate Panel Discussion

2014 SPESC Conference Proposal: Engaging Possibilities

Panel / Forum

Presenters: Kalee Appleton (moderator), Deedra Baker, Rachael Banks, and Allison Jarek

Title: Identity, Memory, and Place: Texas Woman’s University Graduate Panel Discussion

Abstract:

The panel discussion, Identity, Memory, and Place: Texas Woman’s University Graduate Panel Discussion, will create dialogue regarding the use of photography as an avenue for the exploration of deeply rooted psychological subject matters. Panelists Kalee Appleton, Deedra Baker, Rachael Banks, and Allison Jarek create photographic artwork that explores the themes of identity, memory, and place. As graduate students at Texas Woman’s University, these artists each bring a new perspective from their own breadth of cultural and psychological experiences. The panelists will share their own work and a collection of inspirational materials via visual and literary sources. Within the panel, the artists will discuss the nature of their work both conceptually and by means of working methodologies, which vary from traditional analog photography to digital techniques.

 

© Kalee Appleton 2014Kalee Appleton, Untitled, 2014

© Deedra Baker 2013Deedra Baker, Vined Identity, 2013

© Rachael Banks 2013Rachael Banks, Superstition, 2013

© Allison Jarek 2014Allison Jarek, Untitled, 2014


The Pattern Lolls, Solo Exhibition

Deedra Baker
The Pattern Lolls, Solo Exhibition

15 – 26 September 2014

Opening Reception:
17 September 2014 · 4:00 pm – 6:00 pm

© Deedra Baker 2014

Cover Image · Vined Identity · 2013 · Archival Inkjet Print

010 Gallery · Student Union
Texas Woman’s University
Denton, TX

Gallery Hours:
Monday – Thursday · 8:00 am – 9:00 pm
Friday · 8:00 am – 5:00 pm
Saturday · Closed
Sunday · 1:00 pm – 9:00 pm


Work Included on LensCulture

I am honored to be an invited artist on LensCulture, a resource for contemporary photography. Please visit my profile to see my photographic projects Sanctum and The Pattern Lolls.

Baker_Deedra_LensCulture

Click here:

https://www.lensculture.com/deedra-baker

 


500X Gallery | Texas Woman’s University Visual Arts: Selected Works from the Graduate Program

500X Gallery | Upstairs Gallery

Texas Woman’s University Visual Arts: Selected Works from the Graduate Program Group Exhibition

This exhibition is a selection of works highlighting the work being done by students in the Graduate MA/MFA programs at Texas Woman’s University, Denton, TX. There are works from each area of the program represented, and all works were juried by the TWU Department of Visual Arts faculty. The opening is Saturday, January 11th, from 7PM – 10PM.

500X Gallery
500 Exposition Ave
Dallas, TX 75226

Three of my photographs from my series The Pattern Lolls were selected for this juried exhibition. Below are the images that were chosen.

© Deedra Baker 2013

Unfamiliar Self

Baker_Deedra_LinearFemininity_lr

Linear Femininity

© Deedra Baker 2013

Self-Contained

Deedra Baker, 2014


‘Select Works: TWU Visual Arts Graduate Students’

TEXAS WOMAN’S UNIVERSITY
School of the Arts
Department of Visual Arts
and the DALLAS PUBLIC LIBRARY
Present

‘Select Works: TWU Visual Arts Graduate Students’

01 November – 30 November 2013

Closing Reception: Saturday, November 23, 2013, 2:00PM – 4:30PM

Lillian Bradshaw Gallery
Dallas Public Library | 4th Floor
1515 Young Street | Dallas, TX 75201

Artists:
Kalee Appleton, Deedra Baker, Bailey Chapman, Lindsey Dunnagan, Angelia Ford, Liz Head-Fischer, Nathan Madrid, and Claire A. Warden

Selected Works_2013

Deedra Baker 2013